BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Donel Williams: The Incomprehensible Politic of Mark Making* |
  MFA Solo Thesis Exhibition
X-WR-TIMEZONE:Pacific Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362662964
DTSTART:20250514T020000Z
DTEND:20250514T030000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362665013
DTSTART:20250514T190000Z
DTEND:20250515T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362667062
DTSTART:20250515T190000Z
DTEND:20250516T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362669111
DTSTART:20250516T190000Z
DTEND:20250517T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362671160
DTSTART:20250517T190000Z
DTEND:20250518T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362674233
DTSTART:20250521T190000Z
DTEND:20250522T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362677306
DTSTART:20250522T190000Z
DTEND:20250523T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20261011T201305Z
UID:tag:localist.com\,2008:EventInstance_48349362679355
DTSTART:20250523T190000Z
DTEND:20250524T000000Z
DESCRIPTION:Opening reception: Tuesday\, May 13\, 6 – 9pm\n\nExhibition o
 n view: May 14 – 23\, 2025\n\nGallery hours: Wednesday – Saturday\, 12
  – 5pm\, and by appointment by contacting donelwil@usc.edu\n\nRoski Grad
 uate Gallery (Los Angeles Arts District) 1262 Palmetto St\, Los Angeles\, 
 CA 90013\n\n \n\nSee more here: https://roski.usc.edu/donel-williams/\n\n\
 nABOUT THE EXHIBITION\n\nThe Incomprehensible Politic of Mark Making* is a
 n investigation into the gesture of mark making and the often overlooked p
 ower it holds within historical and political contexts. Inspired by redact
 ed government documents that cover up instances of violence against margin
 alized groups\, Donel forges his own black markings over white panels. The
  panels partition together to create a broken signature line that extends 
 from floor to wall\, intrusively dividing the gallery in two. Movement is 
 restricted as viewers maneuver between the floor paintings\, leaving ephem
 eral signatures of their own. Two film performance pieces mirror each othe
 r over the dotted line\, further confining the space. In these films\, the
  artist stands behind a hung canvas and engages in the act of painting thr
 ough a slit with his white-painted arm\, while the rest of his body is obs
 tructed by view. Although melancholic in nature\, the artist is able to fi
 nd beauty within redactions and relate them to his own studio practice\, s
 eeing the isolated markings themselves as art once the oppressive informat
 ion behind them is disregarded. At the intersection of performance and pai
 nting is the realization of Donel’s existence as a mark itself\, incompr
 ehensible\, yet a necessary testament to the enduring struggle of those wh
 o came before him\, and guidance for those who will follow.\n\n \n\nCurate
 d by Megan Wong\n\n \n\nABOUT THE ARTIST\n\nDonel Williams is a multidisci
 plinary artist based in Los Angeles\, CA. He is currently an MFA candidate
  at USC’s Roski School of Art and Design. Utilizing painting\, sculpture
 \, video\, and performance\, Williams explores the lasting effects of obse
 rving his family’s struggles with aging and illness\, and how these expe
 riences manifest in both mental and physical spaces. His work has been inc
 luded in group shows such as “Converge + Vertex\,” at SMC’s Barrett 
 Gallery\, and a solo exhibition entitled “Memories Don’t Live Like Peo
 ple Do\,” at Context Projects. His work was also included in the 2016 vo
 lume of Hammer Museum’s “Graphite: Interdisciplinary Journal for the A
 rts.”
GEO:34.040065;-118.233337
LOCATION:Roski Graduate Gallery
SUMMARY:Donel Williams: The Incomprehensible Politic of Mark Making* | MFA 
 Solo Thesis Exhibition
URL;VALUE=URI:https://calendar.usc.edu/event/donel-williams-the-incomprehen
 sible-politic-of-mark-making-mfa-solo-thesis-exhibtion
CATEGORIES:Arts
CATEGORIES:Exhibit
END:VEVENT
END:VCALENDAR