Sunday, August 27, 2017
Claremont Public Library 208 Harvard Ave, Claremont, CA 91711
Douglas Manuel was born in Anderson, Indiana. He received a BA in Creative Writing from Arizona State University and a MFA from Butler University where he was the Managing Editor of Booth a Journal. He is currently a Middleton and Dornsife Fellow at the University of Southern California where he is pursuing a PhD in Literature and Creative Writing. He was a recipient of the Chris McCarthy Scholarship for the Napa Valley Writers’ Conference and has been the Poetry Editor for Gold Line Press as well as was one of the Managing Editors of Ricochet Editions. His poems have appeared or are forthcoming in Poetry Northwest, Superstition Review, Rhino, North American Review, The Chattahoochee Review, New Orleans Review, Crab Creek Review, Many Mountains Moving, Figure 1, and elsewhere. His first full length collection of poems, Testify, will be released by Red Hen Press in the spring of 2017.
"In his breathtaking debut, Testify, Douglas Manuel charts the raw emotional complexities and the impossible daily reckonings that confront a young black man coming of age today in America. Faced at every turn with condescending, fixed assumptions about his 'proper' role in his community and culture, the speaker faces each indictment with a stunning and searing intelligence. Each powerful testimony in this collection stands as evidence of an eloquent and dramatic new voice in American poetry."
--David St. John
"In Douglas Manuel's Testify the act of witnessing is by turns burdensome and bittersweet, narrative and lyrical, ecstatic and irreverent. Here the holy words are the ones that offer no easy epiphanies yet grant us dazzling, off-kilter compassion and a strange, surprising grace. These potent poems testify to those ambivalent moments that might rend or right us, as when an interracial couple drive past a truck with a Confederate flag painted on its back windshield and from which a little boy turns to smile and wave: his 'blond hair // split down the middle like a Bible / left open to the Book of Psalms.'"
--Anna Journey, author of The Atheist Wore Goat Silk
A book of elegiac ambivalence, Testify's speaker often finds himself trapped between received binaries: black and white, ghetto and suburban, atheism and Catholicism. In many ways, this work is a Bildungsroman detailing the maturation of a black man raised in the crack-laden 1980s, with hip-hop, jazz, and blues as its soundtrack. Rendered with keen attention to the economic decline of the Midwest due to the departure of the automotive industry, this book portrays the speaker wrestling with his city's demise, family relationships, interracial love, and notions of black masculinity. Never letting anyone, including the speaker, off the hook, Testify refuses sentimentality and didacticism and dwells in a space of uncertainty, where meaning and identity are messy, complicated, and multivalent.